HIGH LAND doug ross


I let the twins pray.

Try to stop them and they’ll just do it in their heads. At least this way I know what they’re after.

For Mason: split thumbs to crawl on. Tyler has more of a list. The white-hot bull, tears moating around his feet, a thousand pen wounds from pupils.

They are on the stone floor, asking. I up the pump flow to my tank. Marshall other groups around so we don’t block the turret stairs. I wonder how this might strike our ancestors. But then, an Egyptian owns their castle.

The boys finish. Mason pushes Tyler over.

-With a kiss I’ll forgive you, Tyler says. He goes for him. They wrestle in front of the tapestry before halting to count the spears.

*

We eat by the old carousel. It looks like a revolving jail- metal poles that once kept horses in place.

My rare broil comes. The twins don’t touch meat. They wrap their hands with napkins, pull down my mask and attempt to feed me.

-Quit it, I say. -I can eat. It’s the needless pieties they like best, like soaking my toes, or leaving coins out for me.

A man in a gray coat approaches the table.
-Good boys, he says, -dad?
-Yes.
The man takes out a shaving kit bag. Opens it. Shows them a set of peeling gold hooves, strung on a necklace.
Mason picks out a lower jaw. He mimes scooping broil up towards me.
-Two of the best, the man says.

*

Storms. A TV night. Nothing to be done about it.

We’ve set the room to 59. Humidity leaks in anyway. I have to piss, but it’s better for me to stay in place.
The twins are wearing their parkas, jumping us between channels. Mason cuts away from The Left Aside Fallons, back to the apostolic youth choir. Its singers are bleached and snarling. Pointing clubs at an audience offscreen. Mason leaves it on torture his brother, who loves the Fallons, and prays for a voice of his own.

Tyler covers one ear again. He punches his liver. The tactic predates everything- I heard he did something like it in the womb.

As I go to stand the dampness catches in my chest. I fall on the bed, wheezing, grasp for the tank.

Both twins run to the bathroom. I hear them soaking towels. The Fallons (all six of them) are caught with stolen plums and handed to the Vizier. It’s a light episode. He only takes three.

*

-About here, the guide says.

He stops. Our feet sink in the grass. Behind us, the woman from the depot starts to clap. I think she is starving. She can thank the boys’ charity. They saw her digging through the tub of brochures, asked if they could give her a ticket at the same time.

-Want to say, about three hundred cavalry there. The guide points to one end of the bare clearing. -And about, three hundred there.
-Sweet glory, the woman says.
-Yeah, he says, -not bad.

We’re given ten minutes to live it. The guide seems worried about nightfall, the lighters blinking over the nearby hills. He rolls out some chewed foam dirks and claymores. Mason and Tyler both want the losing side. It’s not especially relevant; our clan cut a backdoor treaty with the pretender. Still, we showed up, didn’t we.

I lean on a rock. The twins get into position. Opposite them, the woman clutches a little round buckler, waiting gratefully for their charge.

*

At first I can’t tell which.

-Dad, he says.
-Yeah, Tyler.
-You were choking.
-No.
-Are you sure?
-It’s just a bit warm, is all. Don’t bother Mason.
-He sleeps through everything.
-Good, I say.
-Sloth, Tyler says. He sits next to me on the bed. I can tell he’s watching my breathing. It grows stilted, overly deep.
-Sometimes I’ll stick him in the ribs, he says.
-Would you want him to do that to you?
-I would wake up.
Voices pass by our window. We have the yellow flag up but they turn the knob anyway. Slide literature under the door. Tyler points at his brother, undisturbed on their pullout cot.
-Tell me about his mom.
-It’s late.
-Anything, he says.
-She was a good swimmer. She crossed the Channel.
-Not mine, though.
-We don’t know that, I say. -I never saw her try.

*

The weather lets up enough for the pool.

We take our numbers and queue by the fence. The first slot is all old men. I wish the twins couldn’t see them- brining in the pink water, drifting on their tubes without colliding.

One man gets sick on his float. A teenaged monitor drags him out, asks if we can help chip in for iodine from the machine.


-Some day, the dad sitting beside me says. Judging from his accent, he lives here full time. I nod. Keep my mask on. Our flat wood chairs remind me of what we had in school.

His son is playing in the deep end with the boys. They stand on his shoulders, try to weigh him down. He’s a few years older than them. Muscular. Two blonde bars through his hair- either they’re comfortable with money or reckless.

He emerges, throwing the twins off into the water.

-No point. Boy’s a fish, his dad says.

Tyler shouts his way next. He doesn’t want to play that martyr anymore. When challenged he suggests Voigt, gripped by river snakes.

Mason takes his feet. The son grabs him by the elbows and starts twisting. They sink underwater. It’s hard to tell how he does. The surface is calm, there are no clear signs of resistance.

The son gets bored. He comes back up and leaves Mason floating there, Tyler half-freed.
His dad hands him a crisp devotional with a trebuchet on the cover.

Mason lets go.
-Okay, he says.
-You won, he says. Slaps at the air bubbles rising around him.

*

I tell them Enough, but Mason’s already opening her.

She’s seen bigger places than the battlefield. Wine smell, a sequined dress, blush and cherry eye glitter shielded from rain by the tarp.

Mason lacks the strength to unroll it fully. He calls to us for more hands.

I say, -We’re moving.

But they want her rites. Their first real chance, not counting dogs or birds. It can be fast; there’s dirt here. Mason met a kid across the inn with a dropper of oil.

I say, -Someone will come.
-We know her, Tyler says.
-Not like family.
-Where are they? Mason says.

The second after-dinner bell rings. Another twenty minutes and they’ll scramble the lock. Own our luggage.

-No, I say. -But you can give something.

They search themselves.

Tyler leaves his stub from the tour.

Mason only has one coin. He stuffs his hand in Tyler’s pockets, and, finding him honest, nestles it in her braid.

They look up at me. Expecting I’ll complete it, somehow.

I clear my throat. The third bell sounds. We exit the alley, join the rest of the latecomers heading for the gates.

*

The land in the dream is familiar. I’ve borrowed it from a few days ago. The clearing, what should be a hill against a fortress.

A storm has fixed overhead. The long siege is broken. There are men on all sides, if you can even call them that. Bannerless, rushing. Men as rain.

I am nowhere, unable to breathe. I have no tank. Just the mask. Lately, it comes with me.

Their mothers lie in the mud, on two blankets. The rain makes their faces unnecessary, though the figures look close, they’re braced in a natural position, equally ready, bellies flooded like my chest.

I try to suck something usable from the air. The rout proceeds in all directions. Who is with the pretender, I think. As soldiers trample around them, they lock their pale hands over their stomachs. Who is with the king. I can only speak for my end.

*

-Tomorrow, we’re seeing the church, I say. -Plan to be ready by bedtime. 

They’re inconsolable. Mason falls dead on the ground. Tyler takes the set of horse hooves, disfigures himself, clamping them over his ears and nose and mouth.

-Please, he says, through swollen lips.
-We can’t, Mason says.

They quote the cereal box prohibition: raise no sanctuary for man’s sin.

-You aren’t raising anything, I say. -It’s taken care of. Now, let me rest.

I turn over. Shut my eyes. Neither one moves. All I hear is rain, the hiss of the oxygen supply, silent prayers filling the room.

*

They come back for another look. A second kid swears by him; they open the driver’s side, lead him out of the van to the moor.
We’re kept separate. Allowed to stand on the sharp ground. Our driver is hooded now, on both knees, with LENDER tagged to his chest by a pin. The kid restraining him sports his own: WHORE.

-You were just on a ride, the oldest one, maybe 16, says to me.
-That’s right, I say.
-To nowhere special.
-No.
-See the moor, he says. -In mixed company.

He goes to the glovebox, returning with our fare, plus interest. Next to him, the son from the pool smooths his highlights flat. Stares into a butane torch. Instinctively, I reach for my tank. But it’s a safe distance away, in the back seat.

They load up. The van fits all of them. Even our driver.

Before he joins them the son removes his black deacon’s stole. He looks between Mason and Tyler. Drapes it over both their shoulders.

*

We hike the unmarked road. I slept most of the ride, the twins can’t tell me if we made it more than halfway.

So, forward.

They walk in front of me in their parkas, tethered by the stole. Every few hundred feet we come on a broom shrub or a rock outcropping and they run and investigate. To save my energy, I don’t bother them about theirs. The air is both wet and thin. The mask tube brushes my knees with each step.

Mason starts to sing the Fallons theme. He does so badly, out of hunger, kicking at the dirt, skipping lyrics.

Tyler tugs on the stole.

-Shut up.

He sings even louder and flatter. Four, Five, Six, on the vermin-ous streets.

-You’re ruining it, Tyler says, and Mason yanks so hard on his end that he falls over.

Tyler lies there wailing. It looks like he might start on himself so Mason preempts him, thumping with one fist on his liver. He leans down for a kiss. But I’ve reached them. I pull Mason off. I slap him knuckles-out across the cheek. Then I drop to the ground with his brother. My vision is starred over, I’m too out of breath to even slide the mask down, to say anything as Mason runs blindly into the heather.

*

Dusk comes. When I’m stronger we can search. Until then we’ll expect him.

Tyler is quiet. Policing my breath.

He unzips me so I can relieve myself. He pushes me to a new spot.

He leaves- I don’t know for how long. Thunder echoes over the hills. I roll to one side, thinking I could drown, but nothing answers it.

Dabbing sweat off me. With his shirt, or the stole? Who has it?

All of a sudden the mask slides away. A mound of gray and white and purple grass at my lips.

-What are you doing, I say.
-Nothing, Tyler says.
-Don’t feed me.

He denies it. Of course his hands are empty now, he keeps showing me them like there’s something I’ve yet to understand.

I straighten up. I tell him that I don’t need food. That I’ll never eat again. That just as likely he came from this soil as a woman. It’s dead enough, there’s enough acid in it. I tell him that when Mason was born it was bloodless and he had all his hair and wouldn’t cry and a fighter jet flew overhead. He could squeeze my thumb. I tell him that the other fathers saw. They followed me around the ward making proposals. One of them had twins; I went and looked to not offend him. They were blue. Overly small. Still he thought they might add up to more together.

I talk until I’m alone and can lie back and face the sky.

*

I sleep.

Every so often my body interrupts, asking for something, unaccustomed to the response.

I think about the church. How far up the road it is.

Then I remember they don’t even call it a church. A site- much safer. In the photos it looks closer to an inn with a stump where the spire was filed off. All the relics are gone now. The physical symbols sold or hoarded or worn. Even the bones.

After the rout, our clan put torches to it. Loyalists had fled down into the crypt with their families. They rebuilt it later. First they dug beneath the old foundations, burying the dead in pairs, beside each other, to spite us. The twins won’t be able to see them. But they can stand under the roof. Walk where they lay.

I ask them if that sounds alright. If we should get moving now.

I tremble in the wind. A small coat is placed on me. Another. I feel the slick fabric of the stole around my neck- too loose to keep the chill out.

-Boys, I say, and both ends tighten with the same force.



Doug Ross is a writer and photographer based in Brooklyn. He grew up outside Detroit with his twin. Find him on Twitter @dougrosswrite.

I AM ryan romine

Framing your silence today
Under a sky that has lost its
Color save for an echo of purple bells
Kicking up songs to another kingdom come


Ryan Romine's poems and reviews have appeared in Commonweal, Tiferet, and TLR. He has also written and produced several short films. He is an Associate Editor at TLR. A long-time resident of Philadelphia, he now lives in Minneapolis with his family.