IN THE NIGHT HOUSE mike lee

This is the way to step inside. The house he lived in with four roommates, ensconced in various room in the old rambling Victorian loomed atop the hill, set slightly above the mid-century modern next door already in decline below. Frank looked out the window of his bedroom, staring at the swimming pool at the neighbors’ house below. The pool was covered with a dark blue tarp, decorated with the season’s leaves.
It was doubtful this would be used again; the neighbors aged rapidly. The husband, a retired professor, recently had a stroke. The night the ambulance was called its orange lights filled his room when it arrived to take the professor to the city hospital.
He read the details in the university newspaper the following Monday.
Ever since, he never saw either out on the patio. They shuttered within their modern, with its sharp angles and rectangle windows, the old tiki torches unlit. No university cocktail parties or family get-togethers. Just silent, reaching a crescendo of quiet except for the stirring of autumn leaves falling on the swimming pool tarp.
His roommates began referring to the neighbors’ home as the Night House. Frank first heard the phrase three months ago, and he nodded, finding it poetic. Wanted to write about it, thinking of how to frame the mystery of a couple now seemingly trapped inside.
As he stood at the window, learning his hands against the glass frame, Frank felt an empathic sympathy for the couple living below. The only visitors were a day nurse who arrived shortly after dawn, leaving at sundown and a weekly delivery from the supermarket. He knew this because he happened to watch enough to assume the rhythm, and Frank paid attention to detail. It was his way—Frank did not like surprises, taking comfort in assumed generalities.
Life was at a young age for him, and he lived it by the slow movement of the clock. He was decades away from his neighbors, where time moves fast now, reaching to the point where they cannot hold back those hands of time, and now, sadly, they cannot hold back the movement of the hands, ticking until they stop in sudden silence.
Running, running goes the clock. When it stops, what then?

Frank woke up to the sound of a party outside. He went to the window, and was shocked to see the tiki torches lit, and the pool, with the tarp off, the water shimmering in the lights.
He had to check it out. He wandered through the hall, down the stairs and walked the short distance to the curve that angled down to the house below.
At the entrance stood a tall man in a dark green suit, holding a tumbler glass, smoking a cigarette, talking with a man wearing a goatee and horned rim glasses. They looked hip, but out of time.
He tried to listen to the conversation. They were discussing French colonial issues, something that Frank knew nothing about, regarding a place called Brazzaville.
They ignored him as Frank passed by and stepped to the double front door.
The doors opened to a long gallery with windows lit by the torches in each window, lending an eerie dancing light that shifted unnaturally with the movement of the flames.
In the center stood the old professor and his wife. They were younger; the man was no older than his thirties, wearing a charcoal suit. His wife was resplendent in a silver lame, scoop neck dress. She smiled gracefully, nodding as she fingered a silver brooch before sliding her hand to the sides.
“Why don’t you join us?” he said. “We know you’ve been dying to visit.”
“I’m not too sure,” Frank replied.
“Ah yes, the Night House. We understand,” the professor said.
He pointed to the ceiling. “We can hear your talking from above.”
“Sorry for the trouble, sir.”
“No trouble at all,” he said. “Your words remind us of life. Life is after all is for the living. A conversation, an exchange of ideas from the banal to the vital; it’s a stream that reminds us all of our human existence.”
“You’re at the university. I’m guessing Philosophy,” he said.
“I was. Changed to undecided for this year. I have until the end of the semester to decide, though.”
“Try literature. I can tell you are a budding writer.”
“How so?”
“You chose to come here.”
Frank began to back away towards the door.
The professor’s wife noticed, nodding. “We understand, but we are glad you stopped by to visit.”
His last words to Frank were when he gestured to his wife, and said, “Lonely, alone I go. Divine, to the divinity. You should look that poet up: an English decadent by the name of Lionel Johnson, and a sadly neglected soul. Maybe you can help keep his name alive by reading him. I tried. Failed.”
“I’m sorry.”
“Do take care, and thank you, again,” said the wife.

When he awoke, Frank went to the window. He saw the conclusion to the story of the Night House.
As he watched the black station wagon from the county coroner’s office take away two bodies, Frank understood that when the flow of time begins to hasten, he better have lived a good life, with some small degree of fulfillment.
Months later, Frank attended the estate sale. He came away with several of Dr. Hathaway’s suits, and some of his books, including the Poetical Works of Lionel Johnson.
Before he left, he saw the brooch at the auction table. He touched it. The stone was emerald, and felt warm.



Mike Lee is an editor, photographer, and reporter for a trade union newspaper in New York City. His fiction is published in Ghost Parachute, Reservoir, The Alexandria Quarterly and others. Website: www.mleephotoart.com. He also blogs for the photography website Focus on the Story.

THE BELGIAN COAST michael o'brien

1

Up before the birds and sun. Before light soft promises. Shadowed movements - birds, foxes, trees. My head the same but in its usual spot. The sky softly forgotten. The sun and its being. I write notes by phone light.

Becoming a mustard farmer this autumn morning. I gas myself and then save myself and give my self a medal for surviving. I pin that big shiny bastard right into my heart. I give myself a brass band ceremony.

     heavy eyes
     one by one
     streetlights


2

The child has found his electric toys. He has soft light hiccups. They make for weird but good percussion between bleeps and bloops. I’m told hiccups help expand one’s diaphragm. My diaphragm is the size of the Belgian coast. This is why I have no friends.

     milk dribble
     separated by an invisible line 
     the pine plantation

3

     aztec nightmare a beast looks back at itself

The sun learns how to breathe. A thirteen step course - with videos uploaded daily on youtube. The sun breaks. I head to the library to return a book on Queens Park football club. Breezy day. Trees in full turn. Dry for now. Coming to the point in autumn where the sun is strong enough to remind one, in a melancholic way, of summer. A child grips a hammer. No soft warm days for at least six months. The brain before a dream. Feelings of mortality gripped in grey hair. Yup.




Michael O’Brien lives in Glasgow, Scotland. He is the author of As Adam (UP Literature), Big Nothing (Bones), and The Anabasis of Man (Yavanika Press). You can follow him on twitter @michaelobrien22

3 POEMS tom snarsky

Untitled*


In heaven all the sleeves are long enough.

No one will bankrupt you for being

Between jobs. The animals all know you

And wish you well. It’s considered rude

To even mention capitalism. The frogs

Are all in one lovely key, and sometimes

They write poetry and sing it to the pond.

There’s a wide idea of what constitutes

Love and meaning. So few people are

Looking for answers they turned off

The internet. No one’s looking for love,

Only at it. Nobody says “saccharine

Pastoral” and means it. Here your heart

Feels like a reed bent parallel to the other

Reeds, over some generous body of water.


*first line borrowed from Kristi Bergner



Broken Rectangles


The pain is maddening but it doesn’t let up. This is the story of ontological novelty. Like finding a peeled fruit, whole, in your bed. Wait on as its own opposite. Or a command to keep going. The window of the dream is closing, closing. No one lifts a finger off their own pulse. I let a flower go for every day you’re not here. I’m counting days like rabbits in the spring.



The Idea of Purple


Just trying to steal my way through living
I’d tell you a joke but then / we’d both die
I’d like to refuse the pink light but it won’t
Let me / There’s already too much sugar
In the bowl / Lay your hands on my ugly
Shoulders & strum / The black guitar of
My present-tense fear fr the future / All its
Ramrod-straight ideals & its ecological
Disasters / An immortal fugue has begun
To play for the wounded among us / An
Infinitely recast majority in the candlelight
/ Scraping all the dead flesh off our backs
/ Wandering the highlands without a clue



Tom Snarsky teaches mathematics at Malden High School in Malden, Massachusetts, USA.